Felicitas Heck
Sound editor
Sound designer
twoleftears(at)posteo.de
IMDb | Crew United
Practising professionally since: 2003
Residence: Berlin
Felicitas Heck has been working as a freelance sound designer and dubbing recordist since 2003. In 2012, she completed a Master’s degree in Sound Studies at the Berlin University of the Arts (Universität der Künste, UdK) with a thesis entitled „Voice and Gender“. Prior to this, she studied musicology and trained as a sound engineer. Her work includes award-winning movies, such as Homevideo (Grimme Award), God Is Not Working On Sunday (Best Human Rights Film, Best Film Award/Mexico) and Im Märkischen Sand (Goldene Kamera Digital Award, Best Educational Series). Besides, she loves to work on international (sound-) art projects e.g. for Amelie A. Wallace Gallery/New York, Le Centre Pompidou/Paris, Museum Susch/Switzerland.
Own equipment: Edit suite Pro Tools, large sound archive, various PlugIns e.g. Soundminer HD, iZotope, Waves, Nugen, Audio Ease, Sound Radix
Languages: German (first language) | English (good | French (basic knowledge)
Filmography (selection)
Krise ist immer | feature film | sound design
R: Dan Dansen | P: Bikepunk Produktions | D | 2020
Letzte Spur Berlin, Fo. 68 Schattenpolitik | TV series | sound design | R: Florian Kern | P: Novafilm Fernsehproduktion GmbH | D | 2017
Bayala- A Magical Adventure | feature film | sound design | R: Federico Milella, Aina Järvine | P: Ulysses Filmproduktion GmbH, Fabrique d’images | D, LU | 2019
The Hateful 8 | feature film | dubbing recordist (german version) | R: Quentin Tarantino/Christoph Cierpka | P: Double Feature Films | US | 2015
God Is Not Working On Sunday | documentary feature | sound design | R: Leona Goldstein | P: Goldstein & Janatkova Produktion | D | 2014
Homevideo | TV movie | sound design | R: Kilian Riedhof | P: teamWorx Television & Film GmbH | D | 2010